Three Meet/The Swedish Dance
Source: Traditional; collected by Clare Newhouse; published in E.F.D.S. News, January 1934, Number 35, Volume IV, Part 1 and in English Dance & Song, July August 1940, Volume IV, Number 6 and in English Dance & Song, September 1950, Volume XV, Number 2.
Formation: Longways or Sicilian Circle; Duple Minor; Trios - described originally as "each man having two partners"
Three Face Three Neighbours (with linked arms): Up a Double and Back
Cross Over with Neighbour by the Right Shoulder and turn to face them
OR With linked arms, stay linked and Half Promenade
||Repeat to Place
All Six Circle Left; Circle Right (Slip)
OR Middle Dancer: Arm Right with Right Hand Dancer x2; Arm Left with Left Hand Dancer x2
In Threes: Circle Left: Make the two circles rotate around each other to change places - open out facing original direction
OR Make a Basket for Three and Spin (passing the other Basket AC for a Progressive Dance)
The original B2 says that the two circles rotate around each other clockwise. But it also says, "This movement is similar to that of 'Partners swing and change'". There were some articles published around that time discussing whether you should "swing & change" around your neighbours clockwise or anti-clockwise, and whether some standardisation was required to reduce the number of crashes on the dance-floor! Well, as far as I know, the standard these days is anti-clockwise.
This move is the same as the Polka Swing in Appalachian square dances. That move goes anti-clockwise and I find that a much more satisfying move than clockwise. You can see in the description of that move that it recommends that as each dancer reaches the outside they stand still momentarily and swing the other dancers around; the end result is that you feel like you are on the Waltzers at the fun-fair!
The 1940 version of the dance is identical to the 1934 version apart from the removal of the instruction to use skip steps in parts of the dance. Had they already started walking instead of dancing?
The 1950 version introduces lots of variations, and is the variation published in Commnity Dances Manual 3, in 1952. The CDM also specifies passing AC for progression.